I first met John Lehmann in Vancouver, Canada after he invited me to speak about multimedia at last year’s Western Canadian Photojournalism Conference. Lehmann works for the Globe and Mail newspaper and is the consummate photojournalist. A sharp eye for visuals and a keen sense of story, Lehmann ranks up there with the best shooters [...]
I posted this project in Video Journal called Creatures from the Heart. It is about sculpture artist Bill Sanders whose failing heart is preventing him from doing his art. During the interview, I asked the question, “Is it hard for you to not to be able to do your art?” He paused; his chin started to quiver and [...]
When Joe Weiss released his audio slideshow production tool called Soundslides in August of 2005, I quickly produced my first slideshow of a grand entrance at a Native American powwow. I was amazed at how easy it was to put together. I didn’t need to know Flash or have programming skills. I had a [...]
After judging several regional multimedia contests recently, I’m mildly discouraged by what I saw being entered in the video categories. I believe the people who shot these videos tried their best. Yet, entry after entry suffered one fatal flaw– They lacked the basic sequencing of video clips.
The sequence is the foundation of all video storytelling. [...]
In order for video storytelling to be effective, I believe it has to connect with viewers on an emotional level. The hardest part about my job as multimedia editor is that I have to be the “no” man. I get lots of requests from reporters to shoot video to go with their stories. Many of these [...]
Today I shot a news video (better quality version here) of a storage unit building going up in flames. As I was busting a move to get to the fire, I heard the words of Lenslinger echoing between my ears.
From his recent comment in “Taking me To Task” post:
“As for tripods, any (TV news) shooter who [...]
In my last post, “Sequencing Video” I was taken to task from TV photojournalists for letting my camera run instead of starting and stopping when I was shooting a sequence for a story. Oreo writes:
“I encourage you to work however is most comfortable for you, but when I shoot, I (usually) [...]
