Thirty years ago on May 18, 1980, I was a senior in high school in Spokane, Washington. It was Sunday afternoon and I was still feeling the pain from a beer-induced hangover, you know, the only kind you can get when your best friend Russ throws an “End of High School” party for the senior class.
I grabbed a cup of coffee and went out on Russ’s front porch. Glancing up at the sky, I was perplexed by what I saw. Instead of blue sky, it was brown with a pillow texture to it. “ Must be a dust storm coming,” said my friend’s father who also had no answer for weird brown sky. Suddenly, a robin came fluttering in front of us. It dove hard, landing dead on impact at my feet. I gingerly picked the bird up and when I shook it, a small cloud of dust came off its wings. What the…
I would soon find out that Mount St. Helens, 290 miles away, had literally exploded in a cataclysmic volcanic eruption. The best part? A dark cloud of ash would soon turn daylight into darkness. It rained ash overnight and part of the next day. For the next week communities in Central and Eastern Washington banded together to clean up the mess. Ask anyone who experienced the ash fall and I’ll guarantee they’ll have a story to tell.
A week ago, it was politely suggested to me that I should do a multimedia piece for the Mount St. Helens 30th anniversary coming up.
“I can do that,” I said. “I’m sure we have tons of photos in the digital archive.”
A quick look showed only a few pictures from that time, many of which had been used over and over. A trip to the basement print photo archive left me nowhere. It was as if Mount St. Helens ash never came to Spokane. “ Where the hell were all the photos”?
When searching the negative archive, I found a week’s worth of volcano negatives missing from the box. About to give up, I walked to the far dark corner of the neg room on a hunch. I found a shelf of orphan negative boxes labeled with old projects I was hard pressed to remember. Running my finger down the labels, I stopped on the three words: “Mount St. Helens. “
I think over the years and many volcano anniversaries later, long gone photo editors found that putting all the prints and negs in one box was a good idea. If I hadn’t made that turn into a dark corner, this audio slideshow would have been pretty lame.
My next chore was to find someone willing to write and voice a narrative that would reflect the content of the photos I had edited together. My go-to guy for historical narratives is staff writer Jim Kershner.
Kershner had that “I’m swamped ,” look in his eyes, but he said he could probably crank something out by the next afternoon. I asked him just to just write the story of the first week in Spokane and I would match the photos up with whatever he wrote. The next day as I was pawing through old unlabeled negative sheets, Kershner arrived with a killer script in hand. Only two takes later, I was ready to start assembling our St. Helens story. I like to use Final Cut Pro as I find it gives me the most flexibility with photos. I can color correct, put motion on the photo, create multi-photo windows where I can time the show to the beat of the music.
The fun part of this story for me was being like a detective, where I had to find a photo that would match the narrative. When Kershner said “Soon taverns and golf courses began to reopen,” I was lucky enough to find a photo from that week showing rednecks covered in ash drinking tavern beer and a group of golfers walking an ash-laden course.
For music, our company has an extensive Digital Juice music library I can use for multimedia projects such as this. I also used a couple of Garage Band stingers– short mood building clips–that helped set the ominous tone of the ash cloud coming our way.
All in all, it was a fun project to do in such a short amount of time.