Many of may old posts that deal with tips about how to do video storytelling and audio slideshows get linked on a lot of blogs used by college professors who teach digital media classes. Most of these posts are buried amongst my pontifications about the changes facing the newspaper industry. So for anyone interested, here is a roundup of my best multimedia suggestions and useful tip posts in one place…
Final Cut Pro and Express users have long been frustrated with Apple’s lower thirds title generator for it lack of features. Many of the problems have been fixed in this free Final Cut plug-in by Alex Gollner. It provides more typeface, position and design options for adding text to productions. Simply download it and drop it in your Final Cut plug-in folder here: Your Startup HD/Library/Application Support/Final Cut Pro System Support/Plug-ins. It’s not to fancy like a Motion template, but for quick lower thirds on deadline, this will to the trick.
I haven’t really explored the many options for plug-ins for Final Cut. Anybody using a plug in that they can’t live without? Please share your comments…
It took me forever, but I finally tried out Final Cut Pro’s voice over tool yesterday for a daily video I did about a 100 people who lined up at a hardware store to buy snow shovels. The record 60-inches of snow that has fallen in the last month in Spokane, has made snow shovels scarcer then George Bush is on the national scene.
The voice over recording feature in Final Cut Pro is one I had almost forgotten about. Now that I have started to do more narration in my videos, I realized my present workflow was really inefficient. I had been using an Edirol -R9 digital recorder connected to condenser mic–a Rode NT3. After recording a script with four or five takes, I would import the audio files into Final Cut via USB from the recorder. It was all very time consuming.
I’m still trying to get the hang of writing a video script. I usually edit my video in a linear fashion, stopping to add narration when needed. I know this goes against the TV news model of recording the entire script and then quickly laying the b-roll and cutaways on top of the audio. I found the voice over tool is perfect for my editing style.
Here’s how it works. My newspaper bought a cheap USB audio mixer (it cost about $120 bucks) a while ago when we were kind of playing with podcasts. Since we gave that fad up, the mixer was just gathering dust. I rescued it and hooked it up to my Mac. I plugged in my Rode NT3 mic in via XLR cable, turned the power on and was good to go.
In my shovel video story, I would drop some edited b-roll clips on the timeline, then place my play head where I wanted to start my voice over. I went to: Tools>Voice Over to open the voice over tool. It was pretty simple from then on. I clicked the red record button and got a visual and audio countdown before the recording started. It automatically backs the play head up five seconds for the countdown. I read my short script and when done, hit the space bar to stop recording. The audio clip then appeared in my timeline right where I had placed the play head. I clicked into the timeline and listened to the clip. If I hated it, I’d just hit delete it and do another take.
Some things to remember: You’ll want to make sure you have video clips on the timeline because the voice over tool won’t record on a blank timeline. Also, it won’t record past to end of the last clip or a blank spot between two clips on the timeline.
Update: Peter Saliva adds this even better tip for recording without video on the timeline:
“Another trick you can try when using the voice over tool: set an in and out point in your time line where no media exists, for say 2 minutes. Then you have established a duration in which your voice over can be recorded and you don’t need to have media present. You can record multiple takes without the hassle of muting or disabling additional audio tracks with other media.”
Final Cut Pro’ s voice over tool is going to make doing narration much easier for me. Now, if I could just learn to write better scripts…
I think it’s time for everyone to banish that ugly black bar used to display lower thirds titles in Final Cut Pro/Express. For the longest time, I struggled with what to do with white text on a light background. I usually ended up using the standard black bar, which is so wide it usually lands across the speakers chin.
Experimenting, I learned to change the bar’s color by using the color sampler. I also tried lowering the bar’s opacity until it was almost transparent. That lipstick didn’t help. It was still an ugly bar mucking up my shot. I’m not a fan of motion titles—they’re distracting and look too much like the snappy graphics in TV. So what to do?
I finally discovered that by clicking the motion tab when my lower thirds title generator is loaded in the viewer, I could add a drop shadow to my text. It was one of those “duh” moments, that I just couldn’t believe I didn’t connect the dots earlier, Now my lower thirds text floats and are much more readable. Make sure you click the drop shadow check box and click the triangle for more settings. Here’s the numbers I use —1.5 to 2 for inset. Softness, 20-30 and opacity 90.